- Review by Allison Noelle Conner at Full Stop
- A Performance Artist Explores “the Vast Possibilities of Black Female Subjectivity” by Monica Uszerowicz at Hyperallergic
- Artist Introspective: Touch/Don’t Touch by Gabrielle Civil at Art21 Magazine
- List: 20 Must-Read Books for Spring 2017 (Red Book)
- List: 34 Books by Women of Color to Read This Year (Electric Literature)
- Excerpt on Full Stop
- Podcast: Gabrielle Civil on Book Nook
- Review by Neyat Yohannes at Chicago Review of Books
Gabrielle Civil’s Swallow the Fish is a memoir in performance art that explores the medium from within its beating heart. Adding its voice to black feminist conversations, it combines essays, anecdotes, and meditations with original performance texts to confront audience, motivation, and fears. Both joy and panic appear in Civil’s world of performance, where neither walls nor city limits set the scope of the stage. Civil bares vulnerabilities and enthralls readers, asking essential questions and embodying dreams.
“Enjoy. Enjoy? Enjoy!” Perhaps this is Gabrielle Civil’s calculus for performance art, though I suspect that accuses her praxis of being too pat. Instead, Swallow the Fish discloses that the “Enjoy?”—that doubt, her sense that she’s maybe said or done the wrong thing—is catalyst and outcome. Thus, this remarkable book is a monograph and manual, a catalog and travelogue rendered as a progress of generative failures. An intimate showcase for Civil’s fierce eros, mordant humor, and intellectual appetites, Swallow the Fish is also a vital record of how a black woman moves through spaces where desire and aversion make equally rough contact. So, enjoy! But enjoy(?), too.
—DOUGLAS KEARNEY, Mess and Mess and
This book paints a beautiful Black woman sky of possibilities. This book makes me want to perform/it makes me want to write-to holla-to hold it close. I love this book!
— SHARON BRIDGFORTH, Writer/Performing Artist
This book is so meticulous and so absorbing, I am in awe. It is declamation, reflection, proposal, documentation, blueprint. Gabrielle Civil is revealed as an artist perfectly poised to speak to how race, gender and sexuality enact embodied performativity. She writes and performs herself into history in ferociously intelligent and relentlessly personal ways. And I’ve never read such a perfect articulation of the turbulence of performing – the way that externalizing the possibility and conflicts of one’s body leaves you open and vulnerable to the quagmire of interpretation, misunderstanding and projection. How the specificity of identity mixes with desire to confound, comfort or disrupt public space. As with so many things that I love, I want everyone to read this book.
— MIGUEL GUTIERREZ, Performance Maker
GABRIELLE CIVIL is a black feminist performance artist, originally from Detroit, MI. She has premiered over 40 original solo and collaborative performance works around the world. Recent works include “…hewn and forged….” at the Salt Lake City Performance Art Festival (2016); “_______ is the thing with feathers” at “Call & Response: Experiments in Joy” (2014); “Say My Name” (an action for 270 abducted Nigerian girls)” (2014); and “Fugue (Da, Montréal),” at the Hemispheric Institute Encuentro (2014). Her writing has appeared in Small Axe, Obsidian, Asterix, Rain Taxi, and other publications. The aim of her work is to open up space.
Photo Credit: Catron Booker